I’ve been progressively “doodling” through the psalms. That means that every Tuesday morning, I read one Psalm and then doodle it in my notebook. Here’s an example. This process has help me to tap into the right side of my brain when I read the psalm. I’m not just reading the content, but I’m observing the details, the emotions, the metaphors that are there. I think it helped me to write a proper Psalmist lament with “Hear My Cry”. The refrain is based on Psalm 116 (“I love the Lord, he heard my cry”) and the verses each convey a different “cry” that I’ve experienced. Verse one is the cry of the victim who is experiencing first hand pain, suffering and oppression. Verse two is the cry of the sinner who is sick and tired of his own brokenness. Verse three is the cry of the “prophet” who longs to see the church transformed into being the body of Christ. Verse four is the cry of a longing for reconciliation in broken relationships between ethnic groups, classes, families, and individuals.
I chose to “rip-off” the groove from Miles Davis’ tune “All Blues” because it taps into the long tradition of the blues and gospel in the US. WE can learn a lot from blues music about lament. It should convey the emotions that come with pain and longing but with the hope that comes from looking to the strong hand of the Father in the midst of trial. The psalms do this but modern expressions of sorrow usually fail to portray any hope without coming off trite.
Rob Hatch went ahead an uploaded the resources that I gave him before the conference, but I need to edit the chart to include some of the changes that I made. In particular, the verses and chorus should repeat the phrase “Hear my cry” each time in measure 13 and 23. That was a change that my team members pushed for the first time we used it at NCF. The 2nd ending bracket should also be the 3rd and 4th ending as well.
Hopefully before the end of the week, we can get “Anyataka” uploaded as well.