Archive for category Special Events
I’ve had a few days to rest (play with my kids, talk with my wife, stare at the walls, etc.) and now that I’m back in the office, I’m ready to think a little bit about the conference we just hosted. I want to especially thank Carrie Jones, Michelle Higgins, Adina O’Neal, Lisa St. Pierre, and Sara Ward who did the bulk of the back end logistics to make the whole conference work.
We had some good times playing music together and sharing our worship expressions. This year, there was a much stronger representation of original songs and arrangements. I brought some of my stuff, but there was also the creative work of Michelle Higgins, Michael Kendall, and Matthew Monticchio. New City Music is becoming more and more of a movement of original songs and expressions through the work of the Spirit in our communities. These songs came off to me as much stronger than the “radio” stuff in our times of worship. The open mic time was also full of original songs and ideas. God is moving and working in this generation, y’all.
All three of the plenary sessions were fun, moving, and thought provoking. I was not at all the breakouts (i have to rest some time, right?) but I am looking forward to listening to them online. Ruth Naomi Floyd was my personal highlight. Her voice could move mountains. She has incredible control over her instrument making each “clip” of a spiritual that she presented deeply expressive and poignant. Many of the songs she shared, I’d heard before, but I’d never really listened to what the song was saying until she “unpacked it” for us. Edem Dzunu was both hopeful about the power of the gospel to reconcile people, but also didn’t downplay the hard truth that it ain’t easy. It’s always encouraging to know that the struggle that I’m experiencing is not unique to me because there’s something I’m doing wrong, but the struggle is the only path we can walk in order to see the kingdom advance. My dad, James Ward, was his usual entertaining self and I always enjoy his presentations. He’s my mentor so nothing he brought was new to me, but I was thankful that he was able to share about his rehearsal experiences with this larger audience.
I am so thankful for the friendships that are born out of these events. We also grow closer and share more about each other with each passing year. I was especially appreciative of the St Louis community of musicians who stepped up to help. When we hosted in 2011, I felt like I had to “do it all” without much help, but this time, I had a team of friends who had my back and brought gifts that I didn’t even imagine were possible. I was encouraged to see people connecting with each other departing with new connections.
“The Healing of the Nations” is the theme for New City Music’c #MusiCon15. This phrase comes from Revelation 22 in which John describes the new city of God where a river flows from the throne of the Lamb. Along the banks of the river are the trees of life and John tells us that the leaves of the trees are for the healing of the nations.
If you don’t see a need for healing in our communities, our congregations, our families, or your own heart, then you are probably not paying attention. Worship is a time to listen to God’s voice and to be changed in the process. He is present in our worship and He is holy. Like the woman who only needed to touch the hem of His garment, we come into the presence of Jesus in worship, broken and desperate. The wonderful now/not-yet vision of the New City is that the tree of life grows like a weed. The church is the New City where Jesus glory dwells and where the nations stream up to the throne needing this healing.
Here are a few questions that I have for you to consider in preparation for our conference.
- How have you personally experienced physical or emotional healing through worshiping Jesus?
- How has music, whether in worship or not, brought you some form of healing?
- How have you witnessed healing in whole communities through singing together in worship?
- What does healing look like in music? To say it another way, what active steps do you take to experience healing?
I’d love to read your answers to one of more of these questions in the comments.
New City Music Conference 2015 is shaping up. We are getting registrations slowly but I fully expect 2/3 of the conference to register at the last minute. I’m so thrilled to have our line up of speakers and breakout leaders. It seems to get better and better every time we pull one of these together. If you haven’t done it yet, please check out the conference details and register at www.ncfmusic.com/conference/
Carrie Jones is the conference director this time. Carrie was involved in the 2011 conference we had here in St. Louis as the graphic designer and she created the conference notebook which was so full of information and resources that people wanted to get the notebook even though they couldn’t attend the conference. Carrie is also a long time member of NCF (@NCFStLouis) and as well as a highly qualified musician on our team.
The conference steering committee was made up of myself (@kirkwardmusic), my dad (@jcalvinward), and my long time friend, Michelle Higgins (@fast_foodie). We went out to lunch when my dad was here in March and hammered out the rough outline of who and what will be featured at this year’s conference.
I hope that you consider coming. If you are from the local region, we would love to meet you or connect again with you to be able to encourage each other in the struggle. If you are from out of town, we would to meet and connect as well and to hear what is going on in other communities. So much has happened in our nation this year that has served to break down our facades and to reveal the areas where we are divided and broken. The gospel has the power to heal communities when it is planted in soil that will let it thrive and produce fruit. Let’s live the gospel of reconciliation and justice that is available to us through our Lord and Savior Jesus Christ.
Please join us for the 11th annual Black Heritage Celebration at New City Fellowship on Saturday, February 28, at 6:30.
Our theme for the evening is “To God Be The Glory” based on the Andraé Crouch song, “My Tribute.” Crouch passed away last month and we will be performing a couple of his songs in the concert to celebrate God’s work through him as a composer and worship leader.
In our planning, we the musicians talked about the passage from John 9 about the man born blind who Jesus healed. The question was asked about why he was born that way and Jesus’s response was that this happened that the works of God would be displayed in him. So as we remember the heritage of African Americans, we might ask “why did so much evil and suffering have to happen in our nation?” and we can look to this blind man, his healing and his testimony to see that all people and cultures exist to display the works of God, for his glory alone. We remember the past works of God in Black community and culture because HIS glory is woven into their story for all to see, and we can all praise Him for the things He has done.
Please pray for our choir directors, Michelle Higgins and Noelle Becker who both have stomach flu running through their family this week. (Also, pray for my wife and the other spouses who have to care for the kids during extra rehearsals this week.)
Please pray for the unity and bond of peace from the Holy Spirit to fill the hearts of everyone involved.
Please pray for Thurman Williams, one of the pastors at Grace and Peace Fellowship who will be bringing a sermon.
Please pray for the long, slow healing process that our region is going through this year.
I just got back from Chattanooga and while I was relaxing with my family, I also had time to take care of some long over due meetings. I met with some of the team that curates ncfmusic.com and we are hoping to fix some of the glitches on the website as well as tweak the content to make it more useful. In addition, we were able to talk some about a music conference for 2015! If you are a church musician (volunteer or pro), you should make a general plan to travel next summer to our conference to be inspired, encouraged, empowered, etc. in the struggle to produce cross-cultural music for worship.
By the way – if you are a musician in St Louis and you haven’t done it yet, please register for the Worship Music Workshop on August 8 & 9.
I might be entering into a phase of life when the basic work of living life takes up all my time such that there’s no time left for contemplative activities like writing. Living life right now consists of some fun new developments that are part of my calling to follow Jesus. He has invited us into some scary places, but His rod and staff are a comfort and the yoke He has placed on our shoulders is both “the cross” in that it costs everything and yet it is also “the empty tomb” because it gives everlasting life.
Currently, my family is hosting two foster children. One is a 3 year old boy who is a non-stop flow of questions and energy. He has been with us for 6 months now and he is still wrestling with both the trials of his formal home as well as the loss of his former life. The other foster placement which we just received last week is a 4 week old infant who is still a little bit in shock that the womb-home of her mother has been replaced with a loud and crazy home of big kids, dog barking and strange caregivers. Currently, she needs to be held and rocked and swaddled almost constantly when she is awake.
Fostering is a strange life. It’s hard to describe it to people who haven’t lived it. It’s both intensely personal as you become “Daddy” overnight to a stranger and yet it’s intensely impersonal as you are treated with cold, professional indifference by the vast bureaucratic web that these kids are caught up in. Foster parents are asked to love and nurture a child in their home as one of their own all the while knowing that at any moment a phone call could bring an abrupt end to your relationship with this child.
The other thing that I have going on this summer is a little project in the works that a few of my colleagues and I are cooking up. We have called it the “Worship Ministry Workshop” and it’s a kind of low-key conference to encourage and equip our volunteers. I’m working together with Michelle Higgins and Mary Higgins from South City Community Church and Jules Gikundiro and Adina O’Neal from New City Fellowship – South to put this together. The plan is that we will give our volunteers an time to draw near in intimacy with Christ without rehearsal agendas, to receive gospel-refreshment directed at our particular struggles as worship musicians, and then to share some of our vision for what God can accomplish through our teams.
At this time, I am filled with anticipation for what God is doing in his musician servants in St Louis right now. The ground is tilled and the season is approaching for a Spirit-filled movement in this city to see a new thing come into being, a new wine-skin of songs and expressions for a new generation of saints. I mean something bigger than the next flavor-of-the-month music trend. I’m talking about a revival of the Holy Spirit working to heal and restore this broken, fractured city into the family of Christ. Of course, he’s always at work, but I just feel like his Spirit is opening the eyes of my heart to see how vast his love is for this community.
You can learn more and register for the Worship Ministry Workshop here: http://wmw.ticketleap.com/worshipstl/
SAVE THE DATE // August 9, 2014 in Saint Louis
Who: Worship musicians, leaders, and volunteers
What: resource exchange, training, praise, and fellowship
When: Saturday August 9 2014, Daytime workshops ($5 for participants) // Evening concert event open to the public
Why: worship teams from various churches don’t normally have the chance to gather in the same place to be participate in worship events rather than direct them. We will learn together, encourage each other, and share our experiences.
organized by New City Fellowship and South City Church
Contact: firstname.lastname@example.org // email@example.com
I was terrified about this talk! A lot of help came from friends and mentors who encouraged me as I processed this passage and what it means to practice justice and mercy in the church music ministry. Most of all, I was struck by my own “un-worthiness” and the corresponding glory of the Worthy Lamb who has called me his son.
Here’s a PDF of my notes with the slides: The Year of Jubilee. As the folks in Chattanooga weed through all the audio from the conference, they will hopefully have a recording of my talk available.
My real goal in this talk was to get away from the usual conversations about music that involve what the music aught to sound like or what the words aught to say and get down to the ethics of being a church musician in [grace-filled, Spirit-led] covenant faithfulness.
I’ve been progressively “doodling” through the psalms. That means that every Tuesday morning, I read one Psalm and then doodle it in my notebook. Here’s an example. This process has help me to tap into the right side of my brain when I read the psalm. I’m not just reading the content, but I’m observing the details, the emotions, the metaphors that are there. I think it helped me to write a proper Psalmist lament with “Hear My Cry”. The refrain is based on Psalm 116 (“I love the Lord, he heard my cry”) and the verses each convey a different “cry” that I’ve experienced. Verse one is the cry of the victim who is experiencing first hand pain, suffering and oppression. Verse two is the cry of the sinner who is sick and tired of his own brokenness. Verse three is the cry of the “prophet” who longs to see the church transformed into being the body of Christ. Verse four is the cry of a longing for reconciliation in broken relationships between ethnic groups, classes, families, and individuals.
I chose to “rip-off” the groove from Miles Davis’ tune “All Blues” because it taps into the long tradition of the blues and gospel in the US. WE can learn a lot from blues music about lament. It should convey the emotions that come with pain and longing but with the hope that comes from looking to the strong hand of the Father in the midst of trial. The psalms do this but modern expressions of sorrow usually fail to portray any hope without coming off trite.
Rob Hatch went ahead an uploaded the resources that I gave him before the conference, but I need to edit the chart to include some of the changes that I made. In particular, the verses and chorus should repeat the phrase “Hear my cry” each time in measure 13 and 23. That was a change that my team members pushed for the first time we used it at NCF. The 2nd ending bracket should also be the 3rd and 4th ending as well.
Hopefully before the end of the week, we can get “Anyataka” uploaded as well.